~ ALASKA SWING DANCE ~
WELCOME TO ~ NELLEE’S LINDY HOP SHOP
SWING HISTORY
CHAPTER 20
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(Text is adapted from “The Swing Book”):
“EVEN MORE OFTHE REBIRTH OF SWING”!!!! !!
SWING SNOWBALLED INTO THE MAINSTREAM AND THE BALL
BEGAN ROLLING WITH JIM CARREY’S MOVIE “THE MASK” IN 1994. Featuring a zoot-suited Carrey dancing
across the screen with Cameron Diaz to the Royal Crown Revue’s “He Pachuco!” at
a forties-style nightclub, the movie was the first to spotlight neoswing’s
crossover appeal.

Soon newspaper and magazine stories covered the
swing phenomenon, usually taking an incredulous approach to swings return and
treating it like a pop culture novelty.
In 1996 the hot indie film “Swingers” premiered. It featured Big Bad Voodoo Daddy performing
their original song “You and Me and the Bottle Makes Three Tonight (Baby),” a
snazzy collection of retro clothes, and some scenes of spot-on dancing.
Starring
Vince Vaughn
A year later the Squirrel Nut Zippers saw their
1996 single “Hell” become a hit on alternative rock stations, that opened the
radio waves to even more retro music.
“Hell” was also featured in Brandon Frasier’s “Monkeybone” – as the song
in his character Stu Miley’s Nightmare Land (also with a cameo by Stephen
King).

Stu
Arrives in Nightmare Hell
In fact, just about every one of Frasier’s movies
has a swing dance scene (check him out in “Blast From the Past,” for
example).

By 1998, Brian Setzer, had a hit with a re-make of
Louis Prima’s “Jump, Jive and Wail” – Setzer put his Brian Setzer Orchestra
together in 1993 – and Cherry Poppin Daddies also hit big with their original
song “Zoot Suit Riot.” Not only did the
songs become huge hits, but so did the music videos. In particular, Setzer’s video, which featured LA’s Sylvia Skylar
and San Francisco’s Cari Seiss, slickly captured the style, dancing, and music
of the scene all in three minutes. Ska
bands, started morphing into swing bands.

Sylvia Getting her hair done….. Erik & Sylvia Cutting The Rug!!
Venues like the Lawrence Welk Resort Center in
Branson, Missouri, started jumping on the swing bandwagon, promoting their
forties revue show as part of the new craze.
Then there was that Gap commercial that propelled swing into the
stratosphere.

Featuring Louis Prima’s original “Jump, Jive, an’
Wail” and a new stop-motion cinematography that brought Lindy aerials into
breathtaking relief, the Gap’s “Khakis Swing” commercial was an instant hit
when it premiered in 1998. Swing was
big business again!!
NEXT TIME:
“EVEN MORE OF THE REBIRTH OF SWING”:
Post Blow-Up Swing!!!